Finally, the game was digitally re-released on Sony's newer consoles via the PlayStation Network outside of Japan beginning in 2015. Fantavision was then remade for Japanese mobile phones starting in 2003. An updated version with this mode titled Futari no Fantavision was released in Japan in 2002. It was released the same day as the console in North America, Europe, Australia, and New Zealand later that year with an added two-player mode. The graphics emphasize the PS2's ability to show particle effects.įantavision was released in Japan on March 9, 2000, a few days after the PS2 itself. After successfully pitching the project to Sony, Fantavision was supervised by the company's first-party development head Shuhei Yoshida and was completed by a small team in a short time frame. The game was initially conceived by director Katsuyuki Kanetaka, inspired by the fireworks shows he witnessed in his youth. Used in conjunction with various power-ups, the resulting explosions can ignite and chain together even more flares for additional points.įantavision was created during Sony's transition from its original PlayStation (PS1) to its next generation console. The game's objective is to use a cursor to select three or more launched fireworks (called "flares") of the same color in a row and then to detonate them to increase the player's score. Black and white are the most commonly found colors in this subgenre, with other colors generally being used as complimentary/accent colors rather than primary ones this monochromatic motif also works well on logos, one of Neo-Vectorheart's primary categories.Fantavision, sometimes stylized as FantaVision, is a puzzle video game developed by Japan Studio and published by Sony Computer Entertainment for the PlayStation 2 (PS2). Neo-Vectorheart is distinguished from regular Vectorheart due to its monochromatic color schemes and less abstract patterns than regular Vectorheart. Neo-Vectorheart, similar to Vectorheart, is characterized by striking vector shapes, 45 degree diagonal lines, and futuristic fonts. Neo-Vectorheart is also popular in the realm of logo design. Neo-Vectorheart has come to be embraced by online gamers, it being said to incorporate maximalist "gamer-grunge". This was inspired by similar Neo- Y2K movements going on at the same time. The visual style found within Neo-Vectorheart prioritizes sleek, dynamic designs, often as an homage or pastiche of the work done by the design firms that popularized the original Vectorheart look.ĭuring the Late- 2010s to the Early- 2020s, there has been a resurgence in Vectorheart. Starting in the late 2010s, a pseudo-revival of the Vectorheart aesthetic emerged as part of the Neo- Y2K movement called " Neo-Vectorheart." The aesthetic incorporates 45-degree angles "nu-brutalist" vernacular bright, contrasting, and occasionally monochromatic color schemes and maximalist motifs inspired by Cyberpunk visuals and " gamer-grunge". Vectorheart's sleek maximum-minimalist design philosophy led to it being popular in depictions of the future, or things that were trying to look futuristic. The look is considered maximum-minimalist by some, and is often mixed with the typical look of Y2K, Gen X Soft Club and Metalheart. The style is loosely inspired by Swiss modernism, utilitarian industrial design, brutalism, and to an extent, Peter Saville's album cover designs for Factory Records. Vectorheart is characterized by striking vector shapes, 45 degree diagonal lines, futuristic fonts, and flat, (usually) high contrast colors. This, combined with other adjacent aesthetics such as Vectorbloom seeing decline, contributed to Vectorheart falling out of mainstream usage and popularity. Flat Design largely omitted the visually complex and cutting edge visuals of Vectorheart for a more simple and easy to understand look. This was due to design philosophies such as Flat Design becoming mainstream. Starting at the Early- 2010s, Vectorheart saw a considerable decline in its popularity. During this time, Vectorheart was used for purposes like advertising, art, web design, magazine covers, and more. Despite this, Vectorheart maintained its popularity into the 2010s, being popular alongside aesthetics like Frutiger Metro and Vectorbloom. During the Mid- 2000s, other adjacent aesthetics such as Y2K began to fall into decline. Vectorheart maintained its popularity into the Early- 2000s, and the into the Mid- 2000s. Vectorheart also strongly resembles Gen X Soft Club, another Y2K subgenre, incorporating the same abstract flourishes and design philosophy. This style complimented the futurism that Y2K promoted, leading to a lot of overlap between the two. Vectorheart began to appear in the Late- 1990s, often associated with Y2K due to its sleek, cutting edge style. The exact origin of the Vectorheart aesthetic is hard to define, but pioneers of the style include design firms such as Bionic Systems and The Designers Republic.
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